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| Section | Objectives |
|---|---|
| Reading Comprehension | - Passage Analysis
|
| Text Completion | - Sentence completion strategies
|
| Sentence Equivalence | - Vocabulary and contextual meaning
|
1. The origin of the attempt to distinguish early from modern music and to establish the canons of
performance practice for each lies in the eighteenth century. In the first half of that century, when
Telemann and Bach ran the collegium musicum in Leipzig, Germany, they performed their own and other
modern music. In the German universities of the early twentieth century, however, the reconstituted
collegium musicum devoted itself to performing music from the centuries before the beginning of the
"standard repertory," by which was understood music from before the time of Bach and Handel. Alongside
this modern collegium musicum, German musicologists developed the historical sub-discipline known as
"performance practice," which included the deciphering of obsolete musical notation and its transcription
into modern notation, the study of obsolete instruments, and the re-establishment of lost oral traditions
associated with those forgotten repertories. The cutoff date for this study was understood to be around
1 750, the year of Bach's death, since the music of Bach, Handel, Telemann and their contemporaries did
call for obsolete instruments and voices and unannotated performing traditions-for instance, the
spontaneous realization of vocal and instrumental melodic ornamentation. Furthermore, with a few
exceptions, late baroque music had ceased to be performed for nearly a century, and the orally
transmitted performing traditions associated with it were forgotten as a result. In contrast, the notation in
the music of Haydn and Mozart from the second half of the eighteenth century was more complete than in
the earlier styles, and the instruments seemed familiar, so no "special" knowledge appeared necessary.
Also, the music of Haydn and Mozart, having never ceased to be performed, had maintained some kind of
oral tradition of performance practice. Beginning around 1960, however, early-music performers began to
encroach upon the music of Haydn, Mozart, and Beethoven. Why? Scholars studying performance
practice had discovered that the living oral traditions associated with the Viennese classics frequently
could not be traced to the eighteenth century and that there were nearly as many performance mysteries
to solve for music after 1750 as for earlier repertories. Furthermore, more and more young singers and
instrumentalists became attracted to early music, and as many of them graduated from student- amateur
to professional status, the technical level of early-music performances took a giant leap forward. As
professional early-music groups, building on these developments, expanded their repertories to include
later music, the mainstream protested vehemently. The differences between the two camps extended
beyond the question of which instruments to use to the more critical matter of style and delivery. At the
heart of their disagreement is whether historical knowledge about performing traditions is a prerequisite
for proper interpretation of music or whether it merely creates an obstacle to inspired musical tradition.
Which of the following statements, if true, would best support the author's explanation for the
encroachment by the early-musicians upon the music of Mozart, Haydn, and Beethoven?
A) The music of these composers is notated more completely than is the music of Bach and Handel.
B) Unannotated performing traditions associated with these composers were distinct from those
associated with pre-1750 works.
C) The mainstream approved of the manner in which the early-musicians treated the music of Bach and
Handel.
D) The early-musicians and the mainstream both prefer the same style and delivery of music.
E) Most instrumentalists are attracted to early music because of the opportunities to play obsolete
instruments.
2. TOPAZ : YELLOW
A) jeweler : clarity
B) sapphire : red
C) amethyst : purple
D) diamond : carat
E) amber : blue
3. The Trojan War is one of the most famous wars in history. It is well known for the tenyear duration, for the
heroism of a number of legendary characters, and for the Trojan horse. What may not be familiar,
however, is the story of how the war began. According to Greek myth, the strife between the Trojans and
the Greeks started at the wedding of Peleus, King of Thessaly, and Thetis, a sea nymph. All of the gods
and goddesses had been invited to the wedding celebration in Troy except Eris, goddesses of discord.
She had been omitted from the guest list because her presence always embroiled mortals and immortals
alike in conflict. To take revenge on those who had slighted her, Eris decided to cause a skirmish. Into the
middle of the banquet hall, she threw a golden apple marked "for the most beautiful." All of the goddesses
began to haggle over who should possess it.
The gods and goddesses reached a stalemate when the choice was narrowed to Hera, Athena, and
Aphrodite. Someone was needed to settle the controversy by picking a winner. The job eventually fell to
Paris, son of King Priam of Troy, who was said to be a good judge of beauty. Paris did not have an easy
job. Each goddess, eager to win the golden apple, tried aggressively to bribe him. "I'll grant you vast
kingdoms to rule, "promised HerA. "Vast kingdoms are nothing in comparison with my gift," contradicted
AthenA. "Choose me and I'll see that you win victory and fame in war." Aphrodite outdid her adversaries,
however. She won the golden apple by offering Helen, Zeus' daughter and the most beautiful mortal, to
Paris. Paris, anxious to claim Helen, set off for Sparta in
Greece. Although Paris learned that Helen was married, he accepted the hospitality of her husband, King
Menelasu of Sparta, anyway. Therefore, Menelaus was outraged for a number of reasons when Paris
departed, taking Helen and much of the king's wealth back to Troy. Menelaus collected his loyal forces
and set sail for Troy to begin the war to reclaim Helen.
Each goddess tried ___to bribe Paris.
A) effectively
B) answer not stated
C) carefully
D) secretly
E) boldly
4. What if someone told you about a kind of grass that grows as tall as the tallest trees? A grass that can be
made as strong as steel? A grass from which houses, furniture, boats, and hundreds of other useful things
can be made? A grass that you would even enjoy eating? Would you believe that person? You should, for
that grass is bamboo, the "wood" of 1,001 uses. Bamboo may look like wood, but it is part of the family of
plants that includes wheat, oats, and barley. It is a kind of grass. This grass is not just a material for
making useful products. Young bamboo is eaten, often mixed with other vegetables, in many Asian foods.
Bamboo grows in many parts of the world. In the United States it grows in an area from Virginia west to
Indiana and south to Florida, Louisiana, and Texas. Most bamboo, however, is found in warm, wet
climates, especially in Asia and on the islands of the South Pacific Ocean. In most Asian countries,
bamboo is nearly as important as rice. Many Asians live in bamboo houses. They sit on bamboo chairs
and sleep on bamboo mats. They fence their land with bamboo and use the wood for cages for chickens
and pigs. Bamboo is used to build large buildings as well as homes. When it is glued in layers, it becomes
as strong as steel. On some islands in the South Pacific, bamboo is even used for water pipes. This
extraordinary material has many other uses. It is used to make musical instruments, such as flutes and
recorders. Paper made from bamboo has been highly prized by artists for thousands of years. Bamboo is
light and strong, and it bends without breaking. It is cheap, floats on water, almost never wears out, and is
easy to grow. Nothing else on earth grows quite so fast as bamboo. At times you can even see it grow!
Botanists have recorded growths of more than three feet in just twenty-four hours! Bamboo is hollow and
has a strong root system that almost never stops growing and spreading. In fact, only after it flowers, an
event that may happen only once every thirty years, will bamboo die. There are more than a thousand
kinds of bamboo. The smallest is only three inches tall and one-tenth of an inch across. The largest
reaches more than two hundred feet in height and seven inches in diameter. No wonder, then, that the
lives of nearly half the people on earth would change enormously if there were no longer any bamboo. No
wonder, too, that to many people bamboo is a symbol of happiness and good fortune.
What is the main idea of this passage?
A) Bamboo could be considered a flower in some cases.
B) Bamboo is an amazing grass that can be used in multiple ways.
C) There are at least a 1,000 types of bamboo.
D) Bamboo grows at an amazing rate and is found primarily in Asia.
E) Bamboo has at least 2,000 uses.
5. SOOT : GRIMY
A) dust:radiant
B) rain:sodden
C) sunshine:fruitless
D) frost:transparent
E) pall:gaudy
Solutions:
| Question # 1 Answer: B | Question # 2 Answer: C | Question # 3 Answer: E | Question # 4 Answer: B | Question # 5 Answer: B |
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